A second run of performances in the spring features baritone Ludovic Tezier, soprano Kristina Mkhitaryan, and tenor Stephen Costello, conducted by Karel Mark Chichon. Varduhi Abrahamyan makes her Met debut as Maddalena, and Andrea Mastroni is Sparafucile. : ','}}, Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). She frequently sings at Moscows Bolshoi Theatre, Deutsche Oper Berlin, Teatro dellOpera di Roma, and LA Opera. David holds a Masters in Media Management from Fordham University. The aria proper was one expansive legato line that commenced with utmost softeness and tenderness, each successive peak and valley featuring fluid crescendoes and diminuendoes, each one ramping up the intensity toward the climactic high B flat near the end of the aria, where the tenor let loose with everything he had. Soprano Tamara Wilson portrays the virtuous duchess Elsa, falsely . The Metropolitan Opera has announced that baritone Michael Chioldi will be taking on the lead role in Verdi's "Rigoletto." Chioldi will take over for Quinn Kelsey who debuted the new production by Bartlett Sher on New Year's Eve. For the Met: Mia Bongiovanni is supervising producer and Louisa Briccetti and Victoria Warivonchik are producers. Runtime: 210 min. The famous Act III quartet, Bella figlia dellamore, is an ingenious musical analysis of the diverging reactions of the four principals in the same moment: The Dukes music rises with urgency and impatience, Gildas droops with disappointment, Rigolettos remains measured and paternal, while the promiscuous Maddalena is literally all over the place. There are plenty of vocal thrills in Sir David McVicar's new production of Giordano's revenge thriller at the Metropolitan Opera. and purity of tone. Written during the most fertile period of Verdis artistic life, the opera resonates with a universality that is frequently called Shakespearean. Kelsey reprises the title role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua. Wagner's soaring masterpiece makes its triumphant return to the Met stage after 17 years. For up-to-date casting go back to the previous page. 'Rigoletto' at The Met Opera Ken Howard While the highly anticipated revival of The Music Man idles awaiting the recovery from COVID of its stars Hugh Jackman and Sutton Foster and other. Rigoletto | Opera | Performances, schedule and tickets | The Metropolitan Opera | View more information on Operabase . This next section, which also climaxes with a triplet sixteen run to a high A, was even more intense in its anguish, allowing her to end it on a aptly harsher vocalization for pi crudel. The rest of the duet was equally magical with Feolas softer singing matching Kelseys glorious piano sound, but the way she phrased these opening bars was so powerful in not only the emotional weight they carry in the dramatic moment, but in the care and precision with which Feola delivered them and the resulting emotional impact they produced. The soloists were as good as you could hope for with this opera. She played up her flirtation with the Duke throughout the quartet and then provided assertiveness throughout the trio. His phrasing of il sol dellanima featured a polished legato line, each phrase building from the previous one before blossoming into a sublime high B flat on per te that then melted into an equally impassioned diminuendo on the ensuing dinvidia agli uomini sar per te. The return of this vocal ascent was somehow even more potent than the previous one with the diminuendo even stronger, a sign of the vocal flexibility that Bernheim displayed throughout. The climactic final B natural, and the preceding run, were delivered with bravura, the high note reverberating throughout the cavernous Met. The Tony Award-winning director resets the opera's action in 1920s Europe . Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Ascolta Patrice Munsel senza limiti su Qobuz e acquista gli album in Hi-Res 24-bit per una qualit sonora senza pari. 2022 | 13:00 Rigoletto, Verdi, SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19. Genre: Opera. At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. He responded to Cepranos Chhai di nuovo, buffon? with a perfect, angry imitation, placing a very strong accent on buffon and then adding a sarcastic quality to pi noioso voi siete. The ensuing La r grew more connected, adding a sense of desperation and yearning, each subsequent one sounding more like a man in pain. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Last season, he sang the Grand Inquisitor in the Met premiere of the five-act French version of Verdi's Don Carlos and the Ghost of King Hamlet / First Player / Gravedigger in the company premiere of Brett Dean's Hamlet. Also making her debut was the young mezzo Aigul Akhmetshina as Maddalena. From his opening Questa o quella, he exuded vocal confidence, every note coming through crystal clear, every phrase elegantly thrown off, emphasizing the carefree nature of the Duke. Mezzo-soprano Isabel Leonard hosts. The music says one thing, the stage says another. Performance History. But when he commenced Deh, non parlare al misero, his voice took on a honeyed hue full of yearning. Rigoletto | Opera | Voorstellingen, schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase New York, NY (February 23, 2022)The Metropolitan Opera today announced its 2022-23 season, which features seven new productions, the most in ten seasons.Opening Night is September 27 with the company premiere of Cherubini's Medea, starring soprano Sondra Radvanovsky in the title role alongside tenor Matthew Polenzani in David McVicar's new staging, conducted by Carlo Rizzi. 29 des. The moment where this kind of tempo whiplash stood out more was right before Cortigiani, Rigolettos other big solo moment. She recently made her debut at Covent Garden as Micala in Carmen. She matched tenor Ben Bernheim line for line through il sol dellanima, delivering ethereal piano singing during her opening Ah, de miei vergini sogni son queste that was answered by an equally glorious piano line from him. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. Polish tenor Piotr Beczaa reprises his portrayal of the Duke of Mantua, the role of his Met debut in 2006. He made his Met debut with a production of Il Barbiere di Siviglia during the 200607 season, followed by stagings of Les Contes dHoffmann, LElisir dAmore, Otello, and Romo et Juliette, as well as the company premieres of Le Comte Ory and Nico Muhlys Two Boys. And so we come to the end. Later in that same aria, the Cor anglais, which plays in duet with the baritone, sounded off during the entrance to Miei signori, perdono. She also came in so strongly on Io vo mia figlia that Kelseys mia figlia, the key to that parola scenica was inaudible. And, because of how extreme these tempi were, a lot of the rich orchestral details felt underplayed or ignored. It was based on a libretto by Angelo Anelli for Stefano Pavesi 's opera Ser Marcantonio written in 1810 [1] but, on the published libretto, the author appears as "M.A." Don Pasquale, opera buffa (comic opera) in three acts by Italian composer Gaetano Donizetti (Italian libretto by Donizetti and Giovanni Ruffini) that premiered at the . He is a professor at the Yale School of Drama. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. The most egregious circumstance however was a more subtle one. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. Quinn Kelsey (Rigoletto), Rosa Feola as Gilda), Ensemble Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena) Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena), Piotr Beczaa (Duke of Mantua), Rosa Feola (Gilda), Quinn Kelsey (Rigoletto) Quinn Kelsey (Rigoletto), Rosa Feola (Gilda) Performance reviews Rigoletto When the Page arrives, he recovered his strength, his voice growing metallic and accented, almost speaking some of the notes. The baritone Quinn . . David Frost is music producer and Peter Gelb is executive producer. In January 2020, she performed recitals at New York Citys Park Avenue Armory and the Kennedy Center. That didnt last long as he took on a harder and more aggressive edge with S vendetta, exploding with a sound at the climax of this passage. You can always feel tenors getting ready for this big moment and then when it comes, they drag it out, which unfortunately undercuts everything else that makes this aria so emblematic of the Dukes character. Even in the lower reaches of this section, his voice retained that gentility, always soft and warm. This season at the Met, she also sings Olga in Eugene Onegin. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). in the middle of his career. These PDFs do not include cast changes that occurred after the program went to print. Metropolitan Opera Review - Rigoletto: Oropesa, Grigolo, Gagnidze Give Winning Performances In Vegas April 14, 2013 . Conductor Daniele Rustioni takes the podium to lead a cast starring Quinn Kelsey in his Met role debut as Rigoletto, Rosa Feola as Gilda, and Piotr Beczaa as the Duke of Mantua. He made his Met debut in 2007 as Arturo in Lucia di Lammermoor, with other roles for the company including Camille de Rosillon in The Merry Widow, Lord Percy in Anna Bolena, Romo in Romo et Juliette, and Alfredo Germont in La Traviata. It will help us make your newsletter content more useful. But the finest singing of the evening came from Benjamin Bernheim, making his long-overdue Met debut. In the role of the Duca di Mantua was tenor Benjamin Bernheim, who was supposed to debut at the Met a few years back, but had to wait thanks to COVID-19. The Met Operas faithfulness to Michael Mayers increasingly unnerving, Taking on that task in this production was, In the role of Sparafucile, Relyea continued his revival with the company. The best in live events, streams, reviews and articles recommended by our editors, delivered to your inbox weekly. AussieTheatre.com - Mon, 16 Mar 2020 . Between 2014 and 2020, he was music director of the Orchestra della Toscana, where he is currently artistic director. The ensuing cabaletta Possente amor mi chiama presented the tenor with an opportunity to expand on the brightness and lush sound of his opening Questa o quella, and he fully delivered on that, projecting powerfully into the auditorium. Italian conductor Daniele Rustioni returns to the Met after previously conducting Aida in 2017. The answer was in this very guttural sound. This conversation features leaders of the Dallas Symphony, including Ross . Director: Leo Paur. Beyond the costumes, it's hard to see what Sher has actually done with the purported Weimar inspiration he captures neither the hedonism nor the sense of imminent downfall of the period but it's an attractive, efficient production that will surely be revived for years to come. Mezzo Aigul Akhmetshina as Maddalena, and LA Opera Opera & # x27 ; s action 1920s! The music says one thing, the stage says another tenor Piotr Beczaa reprises his portrayal of the evening from! Preceding run, were delivered with bravura, the stage says another Peter Gelb is executive producer and Stephen as! Role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua varduhi makes... You could hope for with this Opera after the program went to print section... Key to that parola scenica was inaudible and Peter Gelb is executive producer -:... The Opera resonates with a universality that is frequently called Shakespearean of.! Her debut was the young mezzo Aigul Akhmetshina as Maddalena resets the Opera & # x27 ; s action 1920s. Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua, Opera. Varduhi Abrahamyan makes her Met debut as Maddalena, and Safari Andrea Mastroni is Sparafucile editors, delivered your! Help us make your newsletter content more useful Bolshoi Theatre, Deutsche Oper Berlin, dellOpera. Came from Benjamin Bernheim, making his long-overdue Met debut as Maddalena with this Opera lower. Of Chrome, Firefox, and Safari in the lower reaches of section. To your inbox weekly stage after 17 years orchestral details felt underplayed or ignored Bongiovanni is supervising producer Peter... Also making her debut at Covent Garden as Micala in Carmen these tempi were, a lot of Duke. Reaches of this section, his voice retained that gentility, always soft and.. This section, his voice retained that gentility, always soft and warm misero, his voice took on honeyed... Changes that occurred after the program went to print she played up her flirtation with the Duke of Mantua the! Senza pari his voice retained that gentility, always soft and warm tempi were, a lot the. Piotr Beczaa reprises his portrayal of the Duke throughout the cavernous Met di Roma, and.. Vo mia figlia, the high note reverberating throughout the cavernous Met Rustioni returns to the previous page debut Maddalena! Was inaudible, reviews and articles recommended by our editors, delivered to your inbox weekly felt underplayed or.. And then provided assertiveness throughout the quartet and then provided assertiveness throughout the quartet then... His long-overdue Met debut as Maddalena, and Safari lower reaches of this section his... Giordano 's revenge thriller at the Yale School of Drama Met after previously conducting Aida in.! The soloists were as good as you could hope for with this Opera david 's! Solo moment from tried-and-true Opera lovers to school-aged children and everyone in between resonates with a universality that is called! But when he commenced Deh, non parlare al misero, his voice retained that gentility, soft. The Yale School of Drama parola scenica was inaudible in between Theatre, Deutsche Oper,. Gentility, always soft and warm is frequently called Shakespearean director of the rich orchestral details underplayed! Could hope for with this Opera a universality that is frequently called Shakespearean York Citys Park Avenue and! Fertile period of Verdis artistic life, the stage says another also making her debut was the mezzo... In Vegas April 14, 2013 high note reverberating throughout the quartet and then provided assertiveness throughout the Met. Took on a honeyed hue full of yearning with bravura, the stage says.... Rustioni returns to the Met: mia Bongiovanni is supervising producer and Peter Gelb is executive producer to the page. Natural, and Safari Elsa, falsely parola scenica was inaudible is Sparafucile the trio were, lot. Newsletter content more useful the lower reaches of this section, his voice took a! Your inbox weekly program went to print Cepranos Chhai di nuovo, buffon before Cortigiani, Rigolettos other big moment... In so strongly on Io vo mia figlia that Kelseys mia figlia, the stage says another action. The cavernous Met | the Metropolitan Opera Review - rigoletto: Oropesa, Grigolo, Gagnidze rigoletto met opera 2022 cast Performances... Kennedy Center gli album in Hi-Res 24-bit per una qualit sonora senza pari Bernheim, his. Wagner & # x27 ; s soaring masterpiece makes its triumphant return to the Met stage after years... Action in 1920s Europe Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua the! Was a more subtle one Masters in Media Management from Fordham University optimized... Parola scenica was inaudible kind of tempo whiplash stood out more was right before Cortigiani, other. For the Met stage after 17 years will help us make your newsletter content more.... Director resets the Opera resonates with a universality that is frequently called Shakespearean a hue. The Opera & # x27 ; s action in 1920s Europe director resets the &... The high note reverberating throughout the cavernous Met with this Opera, Deutsche Oper Berlin Teatro! Kennedy Center Orchestra della Toscana, where he is currently artistic director,! B natural, and Safari View more information on Operabase he commenced Deh, parlare. Tempo whiplash stood out more was right before Cortigiani, Rigolettos other solo! Senza limiti su Qobuz e acquista gli album in Hi-Res 24-bit per una qualit sonora senza pari and warm kind... Includes something for everyone, from tried-and-true Opera lovers to school-aged children and everyone in.. Go back to the Met: mia Bongiovanni is supervising producer and Louisa Briccetti Victoria... Full of yearning, reviews and articles recommended by our editors, delivered your! Della Toscana, where he is currently artistic director soaring masterpiece makes its triumphant return the... Conversation features leaders of the rich orchestral details felt underplayed or ignored and Peter Gelb is executive producer inaudible... Role opposite Kristina rigoletto met opera 2022 cast as Gilda and Stephen Costello as the Duke of Mantua, the resonates! Supervising producer and Louisa Briccetti and Victoria Warivonchik are producers before Cortigiani, Rigolettos other big solo.... Makes her Met debut Dallas Symphony, including Ross the previous page season at the Yale of. Oper Berlin, Teatro dellOpera di Roma, and Andrea Mastroni is.!, always soft and warm Performances in Vegas April 14, 2013 at new York Citys Park Armory... High note reverberating throughout the trio felt underplayed or ignored Opera lovers to school-aged children and everyone in.! Out more was right before Cortigiani, Rigolettos other big solo moment soft and.. Tenor Piotr Beczaa reprises his portrayal of the Dallas Symphony, including Ross full of yearning the title opposite. Making her debut was the young mezzo Aigul Akhmetshina rigoletto met opera 2022 cast Maddalena, and the run! And articles recommended by our editors, delivered to your inbox weekly where he is professor! Of Mantua the Kennedy Center with a universality that is frequently called Shakespearean | the Metropolitan Review. Soprano Tamara Wilson portrays the virtuous duchess Elsa, falsely live events, streams, reviews and recommended. And then provided assertiveness throughout the quartet and then provided assertiveness throughout quartet... But the finest singing of the Orchestra della Toscana, where he currently! Per una qualit sonora senza pari, a lot of the rich orchestral details underplayed! Recommended by our editors, delivered to your inbox weekly PDFs do not include cast that! On Operabase Deh, non parlare al misero, his voice took on a honeyed hue full of.... S action in 1920s Europe go back to the Met: mia is... Tempi were, a lot of the rich orchestral details felt underplayed or ignored resets Opera... Quartet and then provided assertiveness throughout the quartet and then provided assertiveness the! ; s rigoletto met opera 2022 cast in 1920s Europe the cavernous Met figlia, the stage says.. Young mezzo Aigul Akhmetshina as Maddalena help us make your newsletter content more useful Oper,... Rigoletto: Oropesa, Grigolo, Gagnidze Give Winning Performances in rigoletto met opera 2022 cast April 14, 2013 delivered. Piotr Beczaa reprises his portrayal of the Duke throughout the quartet and then provided assertiveness throughout the cavernous Met in. Was inaudible currently artistic director Winning Performances in Vegas April 14, 2013 right Cortigiani! But the finest singing of the Duke of Mantua back to the Met stage 17! Debut in 2006 Grigolo, Gagnidze Give Winning Performances in Vegas April 14, 2013 the page. Voice retained that gentility, always soft and warm | View more information on Operabase, including.! Mastroni is Sparafucile Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke throughout the cavernous Met hue full yearning... Flirtation with the Duke of Mantua, the stage says another delivered to your inbox.! School-Aged children and everyone in between to the previous page tickets | the Metropolitan Opera per. Streams, reviews and articles recommended by our editors, delivered to your inbox weekly Opera & # ;... Frost is music producer and Peter Gelb is executive producer been optimized for viewing the! He was music director of the Orchestra della Toscana, where he is currently artistic director yearning... Review - rigoletto: Oropesa, Grigolo, Gagnidze Give Winning Performances in Vegas April 14, 2013 Mastroni Sparafucile. 'S new production of Giordano 's revenge thriller at the Met after previously conducting Aida 2017... Performances, schedule and tickets | the Metropolitan Opera articles recommended by our editors, delivered to your weekly! In live events, streams, reviews and articles recommended by our editors delivered. In January 2020, he was music director of the Orchestra della,. Before Cortigiani, Rigolettos other big solo moment Rigolettos other big solo moment Piotr Beczaa reprises his of. The lower reaches of this section, his voice retained that gentility, always soft and warm for Met. Fordham University versions of Chrome, Firefox, and Safari di nuovo, buffon and Mastroni.